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It’s the booming fifties, and Britain is in the clutches of Goon mania as men, women and children across the country scramble to get their ear to a wireless for another instalment of The Goon Show.
While Harry Secombe and Peter Sellers get down to the serious business of becoming overnight celebrities, fellow Goon and chief writer Spike finds himself pushing the boundaries of comedy, and testing the patience of the BBC.
Flanked by his fellow Goons and bolstered by the efforts of irrepressible sound assistant Janet, Spike takes a flourishing nosedive off the cliffs of respectability, and mashes up his haunted past to create the comedy of the future. His war with Hitler may be over, but his war with Auntie Beeb - and ultimately himself - has just begun.
Will Spike’s dogged obsession with finding the funny elevate The Goons to soaring new heights, or will the whole thing come crashing down with the stroke of a potato peeler?
Starring Robert Wilfort (Gavin and Stacey, Bridgerton) as Spike Milligan, Patrick Warner (Peter Cook in The Crown, One Man, Two Guvnors and Play that Goes Wrong) as Peter Sellers, and Jeremy Lloyd (The Comedy About a Bank Robbery, Trial by Laughter) returning to his critically acclaimed role as Harry Secombe, with Margaret Cabourn-Smith (Motherland, Miranda, Buffering) as Janet.
Extracts from The Goons used with the kind permission of Spike Milligan Productions.
Produced by Karl Sydow, Trademark Films, & PW Productions and the Watermill Theatre.
Contains strong language, references to suicide, strobe lighting and loud noises (war sounds incl. gunshots and explosions and sudden loud music)
If you liked the Goons you will love it- Sunday Times
very silly indeed- Financial Times
King's Theatre, Glasgow
King’s Theatre Glasgow opened in 1904 and has played host to top stars and shows ever since. The King's provides Glasgow's flourishing amateur groups with a high profile stage and was the location for the opening ceremony of Glasgow's European City of Culture events in 1990. Above all, it continues to pack in appreciative audiences performance after performance and throughout the year.