Creative Learning in Theatre
By Alice Morris
|The British theatre. An establishment of entertainment, temple of
talent, domicile of drama. The buzz in and around any arts house gearing
up for a show is palpable every evening as audiences gather to be
entertained by some of the country's finest talent, in some of the
country's finest buildings. |
What, then, happens after the curtains go down and a new day dawns? If your answer to the above is ânothing' then you are talking tommy-rot. There are all sorts that keep theatres a buzzing hive of activity - from auditions and rehearsals to filming and meetings. In case you haven't guessed, however, this post is all about the educational classes, workshops and courses that ATG theatres across the UK run, and that we like to put under the umbrella term 'Creative Learning'.
Creative Learning: what's on offer?Over the course of a year, more than 70,000 people participated in ATG's Creative Learning activities across the UK (Yes. Seventy. Thousand). Feel like you may be missing out? Here's what goes down in these educative workshops and courses:
Show related activityThere is nothing more fulfilling than being able to appreciate the significance of a plot, a stage direction, a line. With the new school year in full swing, now is the time to shine the spotlight on the resources that are out there to get both adults and children alike stuck into theatre.Pre and post show show talks, production workshops and educational packs for the classroom are held for the even most unexpected productions. From Shakespeare and Dickens to Grease and Legally Blonde, there are opportunities to study all sorts of productions in greater depth. In so doing, participants learn about the art of staging a show and are able to appreciate all sorts of nuances that might otherwise be missed when sitting in the stalls.
Participatory TheatreIn essence, putting down the notes and getting on the stage. Theatres up and down the country have thrown their doors open to anyone that wants to try their hand at theatre production. ATG Theatres are focusing increasingly on Access Projects, collaborating with organisations such as Mencap and ELITE to ensure everyone has the chance to get involved with theatre. All in all, participatory theatre develops skills, either informally or under more challenging circumstances. But hey, don't just take our word for it:
âIt brought people together no matter what our abilities or disabilities to celebrate the joy of dance'
York Press about Fiddler on the Roof, York Opera House Stage Experience.
|ATG's Special Projects are orchestrated by our theatres to respond to a
specific local need. 2013, for example saw young people with
disadvantaged communities brought together by The ATG Foundation to
write and perform five interlinking plays for the Cultural Olympiad,
which were staged in six events across the UK. In Glasgow, meanwhile,
Creative Learning joined forces with Matthew Bourne's education strand
to get local boys involved in dance. The result was a screening at
Glasgow Film Theatre's Youth Film Festival of their brainchild, Beastie,
and a performance at the Theatre Royal, Glasgow. The list goes on, but
by no means is limited to ATG venues alone. If there is a need in your
area, don't hold back from approaching your local venue to see what you
can come up with. |