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Lee Curran

Lee Curran Overview

For the Royal Court: Constellations.

Other theatre includes The Sacred Flame (ETT); Clytemnestra (Sherman Cymru); The Fat Girl Gets a Haircut (Roundhouse); Great Expectations (ETT/Watford Palace); 66 Minutes in Damascus (LIFT); The Rover (Artluxe); Toujours et Près de Moi (Opera Erratica) and Unbroken (Gate).

Dance includes Political Mother, The Art of Not Looking Back, In Your Rooms and Uprising (Hofesh Shechter); The Perfect Human (Candoco); Curious Conscience (Rambert); E2 7SD, Voices and Set Boundaries (Rafael Bonachela); There We Have Been and Everything and Nothing (James Cousins); Revolver, From the Waist Up and Sticks and Bones (Darren Ellis); The Impending Storm (IDFB); Lyrikal Fearta Redux (Jonzi D); Omi (Tony Adigun); Have We Met Somewhere Before? (PROBE); Singing (Jonathan Burrows Group) and works for Dance United.

Lee has worked with the artists Iain Forsythe and Jane Pollard on music and video projects. He also works with the interdisciplinary design collective body>data>space on digital art, interactivity, space and the body.

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