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Gregory Clarke

Gregory Clarke Overview

Theatre credits include: The Doctor’s Dilemma, Misterman, Twelfth Night, No Man’s Land, Tristan and Yseult, The Emperor Jones and Earthquakes in London (National Theatre); The Heart of Robin Hood, Great Expectations, Coriolanus, The Merry Wives of Windsor, Tantalus, Cymbeline, The Merchant of Venice and A Midsummer Night’s Dream (Royal

Shakespeare Company); Pygmalion and The Philanthropist (American Airlines, Broadway); Peter Pan (Kensington Gardens and US tour); A Month in the Country, Seven Doors, Semi-Detached, Pal Joey, Heartbreak House, A Small Family Business, I Caught My Death in Venice, Nathan the Wise, Song of Singapore and Nymph Errant (Chichester); Pygmalion, Measure for Measure, Habeas Corpus, Private Lives, Much Ado About Nothing, Design for Living, As You Like It (the Peter Hall Company); Penelope, The Hackney Office, The New Electric Ballroom and DruidMurphy (Druid); Bay and My Dad’s a Birdman (Young Vic); A Flea in Her Ear, National Anthems and Six Degrees of Separation (Old Vic); Fit and Proper People (Soho). West End credits include: A Voyage Round My Father, The Vortex, Cloud Nine, The Philanthropist, Some Girls, Waiting for Godot, What the Butler Saw, The Dresser, Amy’s View, You Never Can Tell, Betrayal, Abigail’s Party, Journey’s End, Equus and Bedroom Farce.

Gregory won a Tony Award for Best Sound Design in a Play for Equus and received the New York Drama Desk Award for Outstanding Sound Design for Journey’s End.

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