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Elliot Levey

 
Elliot Levey’s theatre credits include: Danton’s Death, The Habit of Art, All’s Well that Ends Well, England People Very Nice, Henry IV Parts 1&2 and His Dark Materials (National Theatre); Kafka’s Dick (Theatre Royal Bath); Coriolanus (Donmar); Canvas (Chichester Festival Theatre); Much Ado About Nothing (Wyndham’s... Read more >>
Elliot Levey

Elliot Levey Overview

 
Elliot Levey’s theatre credits include: Danton’s Death, The Habit of Art, All’s Well that Ends Well, England People Very Nice, Henry IV Parts 1&2 and His Dark Materials (National Theatre); Kafka’s Dick (Theatre Royal Bath); Coriolanus (Donmar); Canvas (Chichester Festival Theatre); Much Ado About Nothing (Wyndham’s Theatre); Three Sisters (Hampstead Theatre/Liverpool Everyman); Take Flight (Menier Chocolate Factory); How Much Is Your Iron (Young Vic); On Religion/Grace, On Ego (Soho Theatre); Beats And Beauties (Bristol Old Vic); Tonight We Fly (Trestle); Monkey! (Young Vic); The Tempest (British Council World Tour); Love’s Work (Gate/NT studio); Pidgin Macbeth (Piccadilly); Comedy Of Errors (RSC); If I Were Lifted Up From Earth (BAC); The Reckless Are Dying Out (Lyric Theatre Hammersmith); Arabian Nights (BAC); The Soldier’s Tale (Theatre Artaud); Tonguetied (Young Vic Studio); Passion (UK Tour); The Warp (Three Mill’s Island) and Cyrano De Bergerac (Bridewell)
 
Film credits include: The Lady In The VanFallen, Spooks: The Greater GoodThe WallPhilomenaFilth and WisdomThe QueenSong of SongsSupertexThe Book Of JohnJudas And JesusJason and the Argonauts and The Bible.
 
Television credits include: Ripper Street, The Wrong Mans 2, Jamaica Inn, New Tricks, Da Vinci’s Demons, Silent Witness, Parade’s End, Touch of Cloth, Hotel Babylon, Robin Hood, Casualty, Monday Monday, Truckers, Sex and the City, Beau Brummell (This Charming Man), Casualty 1906, EastEnders, Holby City, Amnesia, A Lump In My Throat, Sirens, Fat Friends and Lovejoy.
 
Radio credits include: The Cazalets, Warsaw Ghetto, Life and Fate, The Recruiting Officer, Our Country’s Good, What I Read to the Dead, The Takeover, Vasily Grossman from the Front Line, Dickens’ London and Living with Princes.
 
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